The house is conceived as a composition of clean geometric volumes, articulated through a precise interplay of solids and voids, projections and recesses, openings and shading elements. Its architectural language is based on a restrained palette of light surfaces combined with darker, warmer frames and details, creating depth, rhythm and hierarchy across the elevations. The interior planning follows the same principle: the ground-floor public zone is designed as a continuous open space, where the kitchen, dining area and living room flow into one another and extend directly toward the garden, outdoor entertaining areas and swimming pool. The staircase acts as a central circulation spine, connecting the different levels while gradually mediating between the public and private areas of the house.

The relationship between interior and exterior is a fundamental part of the design. Large openings, terraces, transitional spaces and deep shading elements blur the boundary between architecture and landscape, introducing natural light, framed views and greenery into the interior. The landscape is treated not merely as a backdrop, but as an additional architectural layer that accompanies movement, softens the built volumes and frames the living spaces. Throughout the day, recessed openings and horizontal elements create a changing composition of light and shadow; in the evening, integrated architectural lighting emphasizes the geometry and materiality of the house. The result is a contemporary, minimalist residence that combines formal precision with warmth, creating a continuous experience between architecture, landscape and light.

A personalised interior where proportion, daylight and everyday rituals define the space.

The interior is shaped through a deliberate contrast between quiet, almost seamless surfaces and elements with a stronger material presence. A full-height wall of light cabinetry creates a calm architectural backdrop, while the opposite wall is conceived as a continuous dark timber composition incorporating the television, concealed storage, stone and integrated services. Rather than treating these elements as separate pieces of furniture, the design uses joinery to define the room itself.

This house was conceived as a continuous relationship between architecture, landscape, light, and movement. Rather than treating the garden as a separate element surrounding the building, the design allows greenery and outdoor views to become part of the everyday experience of the interior. From the moment of entry, the house unfolds gradually through a sequence of spaces, framed views, and changing degrees of openness, eventually leading toward the rear garden and pool.
A central idea in the plan is the experience of movement through the house. The circulation is not designed merely as a functional passage between rooms; it becomes an architectural space in itself. Along the corridor, openings on both sides create visual connections to the landscape and allow natural light and vegetation to accompany the movement through the house. These moments blur the conventional distinction between interior and exterior, transforming transitional spaces into places that remain connected to nature.
At the rear of the house, the public area is conceived as one continuous and open living environment. The kitchen, dining area, and living room form a connected space that opens toward the garden, extending the interior visually and physically into the outdoor living areas. Large glazed openings strengthen this relationship, allowing daylight to penetrate deep into the space while establishing a direct connection between daily life inside the house and the changing qualities of the landscape outside. The garden and pool therefore become an extension of the main living space rather than a separate destination.

The relationship between the different levels of the house was also an important part of the design. The staircase, vertical openings, and overlapping views create a dialogue between floors and allow the house to be perceived as a connected spatial composition rather than a series of isolated levels. Movement through the house reveals changing perspectives — toward the garden, through the circulation spaces, and between one floor and another — creating a sense of depth and continuity.
Materiality reinforces the same idea of contrast and balance. Exposed concrete gives the architecture a strong and precise presence, while large areas of glazing introduce transparency and lightness. Sliding wood-like louver screens form an additional layer around the façades, providing privacy and solar control while constantly changing the appearance of the house throughout the day. Their warmer texture softens the exposed concrete and creates a dialogue between raw mineral surfaces, filtered light, and vegetation. As the sun moves, the screens and architectural elements produce shifting patterns of light and shadow, giving the façades and interior spaces a more dynamic character.
Ultimately, the project is shaped by a balance between mass and transparency, openness and privacy, architecture and landscape. The planting is not used simply as decoration around the house; it is integrated into the spatial experience, appearing alongside circulation routes, outside large openings, and within framed views. Together, concrete, glass, louvers, light, and vegetation create a house that feels both structured and open — a home in which architecture and nature remain in constant dialogue.